Skip to content

Tag: Odd Thomas

Maximum Overwrite

So I’m currently reading Odd Thomas by Dean Koontz. I watched the movie a few weeks ago and really enjoyed the universe Koontz created, so naturally I wanted to read the book and get all those extra details that are typically left out of movies. And though I’ve enjoyed reading, it doesn’t really feel like there is more story here. I have a guess about why that is.

Recent Reviews

Fast paced techno book allows you to feel half a dozen hearts Really Enjoyed this book. It has great pacing, as fast as the technology that drives this world, snappy as a keyboard. The way this book moves through the story is unique; as you leap frog through the story, the author tricks you, deceives you, then hands you what you knew the whole time. ½ Mystery, ½ Cyberpunk. Bladerunner meets Foundation. The characters are real, lively and snarky. There’s humor in here, in there’s some horror. For a moment I thought there was going to be a zombie apocalypse. Moreover, its well written. I’m a big fan of Michael Moorcock’s long winded weaving of linguistic tapestries that stop the story where it’s at while the scene is created… That’s not happening here. Technology doesn’t have time for you to look around, you better take it in as you move, and that’s exactly what the author produces. The ending felt a little chopped, but probably because I wanted more. Good job, off to try another.

Matthew Prasse – Perion Synthetics

Quite a ride! Perion Synthetics explores the core of a company intent on producing the ultimate android. No one is who they seem to be, often not even what the[y] seem to be, human or “synthetic”. Interestingly, the dates are current but the places and political structures are sometimes the same as reality and sometimes not. It all keeps you on your toes. The rating is a four rather than a five simply because the author sporadically assumes you have read and remembered his previous books, which is a bit annoying but not nearly enough to spoil the excellent story.

DJ – Perion Synthetics
© 2018 Daniel Verastiqui