Tagamwriting

You Don’t Say

Y

The characters have been talking a lot lately, as if they’re just sitting still, spinning their wheels. This happens sometimes when you’re following four POVs and only one is really churning. It’s easy to get discouraged, but the only answer is to press on. Write the lengthy conversations; later, we’ll come back and frame them in something more exciting than two ladies...

Chapter 16 – Thirty Minutes to Burn

C

In a moment of panic, the overloaded server, unable to tell Danny from Tanzy, striped their bits in an alternating sequence in a single location, such that for a brief, wonderful cpu cycle, Danny felt closer to Tanzy than all the matter in the universe seconds before the big bang. He smelled her perfume, felt the memory of her tattoos climbing her legs, and somehow, like a second conscience...

The Engagement

T

Jane couldn’t stop staring at the stubby fingers her client had draped over the side of his polished dress shoe. Everything about Randall Cochrane suggested a middle-aged man with just enough wealth to afford his bespoke suit and pressed shirts. He had short, salt and pepper hair cut close to his head; wireframe glasses sat atop a slightly crooked nose.

Hustle for that Flow

H

Sometimes I like to talk as if I know the first thing about how to write stories. I do it mostly to psyche myself up, to convince Inner Daniel that we know what we're doing here and that everything is going to be alright. When morale is low, I try to focus on the things I know to be absolutes. One space after a period. Words go left to right. And my favorite: you gotta hustle for that flow...

And This is How I Revise

A

I don't know anyone who enjoys revisions like I do. But then, I only know a few authors and they're all that weird, tight-lipped kind of writer who doesn't really want to talk about their "process" because either they're not confident in their process or, more likely, they're too confident in their process and they don't want to give away trade secrets to little old me. Yes, this combative stance...

Maximum Overwrite

M

So I’m currently reading Odd Thomas by Dean Koontz. I watched the movie a few weeks ago and really enjoyed the universe Koontz created, so naturally I wanted to read the book and get all those extra details that are typically left out of movies. And though I’ve enjoyed reading, it doesn’t really feel like there is more story here. I have a guess about why that is.

In It For The Money

I

I've never paid much attention to the financial profit/loss aspect of independent publishing. I just don't see the point. I know, generally, how much the royalty checks will be each month, and I know it doesn't compare to the marketing and materials spend. One of the supposed advantages of indie publishing and print-on-demand was that it required very little in terms of upfront money. But what...

Time After Time

T

I've really taken a liking to non-linear narratives. When you think of all the ways you can mess with a reader, there's nothing quite like the confusion you can create by having multiples stories operating on multiple timelines. Did A happen before B? Are they happening at the same time? And then later, when everything becomes clear, the reader is incented to re-read the entire book, because now...

Buy my books. You will love them. Or else.