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Month: April 2018

And This is How I Revise

I don’t know anyone who enjoys revisions like I do. But then, I only know a few authors and they’re all that weird, tight-lipped kind of writer who doesn’t really want to talk about their “process” because either they’re not confident in their process or, more likely, they’re too confident in their process and they don’t want to give away trade secrets to little old me. Yes, this combative stance is why I don’t know more authors. Anyway, the alpha period on Hybrid Mechanics is finally up, so it’s time to get back at it! Here’s where we’ve been and where we’re going.

I Miss Bitstrips

I don’t read comics, but I like making them. That is, I like making them when they’re not too much work, and no site made it easier than bitstrips.com. I loved that site. Now it’s gone and I’m sad. But I still have some comics I made about the two things I love most: writing and m’pups. If anyone knows of a replacement, please let me know. 

Maximum Overwrite

So I’m currently reading Odd Thomas by Dean Koontz. I watched the movie a few weeks ago and really enjoyed the universe Koontz created, so naturally I wanted to read the book and get all those extra details that are typically left out of movies. And though I’ve enjoyed reading, it doesn’t really feel like there is more story here. I have a guess about why that is.

Die Antwoord vir Facebook

I’ve been listening to a lot of Die Antwoord lately because as a late-30s, married Hispanic male who only drives Japanese imports, I’m obviously their target demographic. Like every single one of my friends, I hadn’t heard of Die Antwoord until I saw them in Chappie. Then I checked out their music and got seriously hooked. Now I can’t stop watching their videos and blasting Doos Dronk every time I get the weepies. Wait, no, that doesn’t sound right. It was while listening to Doos Dronk for the 117 thousandth time that I boarded a train of thought that went straight to HateMyself-ville. I’ll explain.

An Artist’s Responsibility, IMHO

Last weekend, I was fortunate enough to spend the afternoon with a bunch of local writers, directors, and actors and discuss everything from when a child gets their first tooth to when a child takes their first step. It wasn’t lost on me that almost no one talked about their creative work–what they were writing, what they were directing, etc–which I found strange, because as an author, I’m always looking an excuse to talk about my books. I left the event feeling like I had rediscovered a group of people that I’m a part of but that I don’t spend time with. What really struck me, though, was how everyone there, as creatives, had a voice, and later, I realized, a responsibility.

Recent Reviews

Don’t Trust a Veneer. I’m not actually sure if I like this book or not… it’s not all happy endings and good triumphs. Actually, it’s…. rather violent and painful and downright crappy at times. That being said, it was incredibly *readable*. I finished it in one sitting. If you’re looking for a sweet, empowering tale, move on. But, if you’re looking for gritty and under the surface, this is the book for you.

Marlena P. Norman – Veneer

I thoroughly enjoyed reading this book. I wouldn’t normally choose a sci-fi, but I am glad that I took the time to read this one. It is interesting to think about the future and the possibility of having eternal life in a man-made body! I’m not sure I like the idea, but reading about it was okay. Also growing baby robots sounds crazy! If you are into sci-fi and future humanoids, this book is definitely for you. I received this book through a Goodreads giveaway.

Kyle – Perion Synthetics
© 2018 Daniel Verastiqui