Almost as soon as I call a novel finished and ready for publication, I start on the next one. I think everyone does. And like a lot of other writers, I don’t really have a new story in mind. It’s just an idea. One of hundreds. And each one needs to be investigated to see if it contains a story. For months, a year, maybe more, I investigate each of these slivers of ideas and try to stretch them like a ball of dough into something resembling a pizza. It doesn’t always work, and sometimes it is hard to tell when I’m not good enough to write the story, if I’m just being lazy, or if there simply isn’t a story there. I try to stay pragmatic, not get too overexcited, but at some point, you just can’t deny you’ve got the beginning of a novel on your hands.
In my experience and humble opinion, there is no more vital milestone than the completion of 1/3 of Draft Zero. For my books, that’s about 20 chapters at 2,000 words apiece. Everything before this moment is just the cobbling of ideas, pushing them together to see how they fit. But once you reach this point, the story takes on new life. The rules have been established. The characters are in the proper positions.
Everything is primed. The story can now write itself.
At this stage of what I generously call my writing career, I can write 2,000 words on anything. Any story. Any idea. You want 2,000 words? Give me a couple hours. Or give me Red Bull and candy if you need it sooner. The fiction I post on this blog are examples of this daily “scratch writing,” which I do after a novel to find the next one.
It’s harder to stretch an idea to 10,000 words. If really pressed, by sheer force of will, I could do 20,000. The number of ideas that live past 20,000 are shockingly low. As I mentioned, it could just be that I’m lazy or not skilled enough to stretch the story, but to keep my ego on life-support, I tell myself there just wasn’t a story there.
It’s a cruel game sometimes. You think you have something. You write several chapters, and then it just fizzles out. Or you try and try but just can’t hit that sweet spot. Because really, it’s not just about getting to 20 chapters; it’s also about properly positioning the people, settings, technology, and conflicts.
I’ve gotten ideas to 1/3 of Draft Zero exactly four times in the past. All four became novels.
How’s that for a jinx?
So that’s why I’m excited today. That’s why I’m posting this nonsense on my blog, even though it is likely of little interest to anyone else. I, on the other hand, love to learn about how other writers do it.
So for those of you who write: how do you know when you’ve got a novel?